Best Sci-Fi or Fantasy Film of 2020

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UFO sightings, doomsday scenarios, and weird Chris Nolan time mechanics were all on display in top sci-fi and fantasy movies this year. And while not many notable superhero movies have been released in 2020, Wonder Woman snuck in at the last minute to land a name with her magic lasso as well. It is IGN’s winner for Best Sci-Fi or Fantasy Film of 2020.

Winner of the best sci-fi or fantasy film of 2020: Tenet

After a career devoted to exploring the notion of time, director Christopher Nolan finally tackles the subject head-on in Tenet; a film which is not only interested in chronologies, but which focuses directly on them. It’s a classic Nolan movie in almost every way – stuffed with lofty ideas, crisp sets, and quick plots – to the point where it’s practically a comfort watch rather than new land. exciting. But in a world where blockbuster cinema is dominated by franchises and sequels, the film serves as an accomplished demonstration of the pleasures of the original unconnected, unserialized storytelling. And in 2020, with cinema going through arguably its most difficult time in all of its history, Principe functions as a fantastic reminder of what blockbuster cinema can aspire to and why it’s best to live it in a huge dark room. .

For more information, see our full Tenet review!

Check out all of our appointments below.

Best Sci-Fi or Fantasy Film of 2020

Click on the gallery above or scroll down for the full list!

Midnight sky

George Clooney’s latest directorial effort manages to be both meditative and thrilling, balancing two very different survival stories: one anchored in a dying Earth and the other in the dizzying expanse of space. While the two disparate plot threads make strange bedfellows, Clooney’s astute direction, laconic central performance, and truly breathtaking cinematography make The Midnight Sun a thoughtful but cold rumination of l’s need for connection. humanity and its desire to leave a lasting legacy.

Forward

With Pixar’s Onward, filmmaker Dan Scanlon has crafted an adventure that flies happily high with its fantasy elements, but never loses touch with its ingrained family history. In that regard, it sounds like ’80s Amblin, but without being a heavy tribute. It has charm from its playful production design to its exuberant voice to deeply silly visual gags (like the one involving a galloping courier in the form of a broken down van.) Plus, it has a sensational pace that keeps things going. adventure in motion and keeps the audience on the edge of their seats through a parade of daring action sequences that include high speed chases, insane battles and dungeon exploration through a series of traps. It’s a terribly entertaining tale filled with humor, heart, and allusions that is sure to thrill fantasy fans.

For more information, see our full review of Onward!

Principle

After a career devoted to exploring the notion of time, director Christopher Nolan finally tackles the subject head-on in Tenet; a film which is not only interested in chronologies, but which focuses directly on them. It’s a classic Nolan movie in almost every way – stuffed with lofty ideas, crisp sets, and quick plots – to the point where it’s practically a comfort watch rather than new land. exciting. But in a world where blockbuster cinema is dominated by franchises and sequels, the film serves as an accomplished demonstration of the pleasures of the original unconnected, unserialized storytelling. And in 2020, with cinema going through arguably its most difficult time in all of its history, Principe functions as a fantastic reminder of what blockbuster cinema can aspire to and why it’s best to live it in a huge dark room. .

For more information, see our full Tenet review!

The immensity of the night

Modestly framed as an episode of a 1950s Twilight Zone-style series called Paradox Theater, The Vast of Night, from first-time director Andrew Patterson, is a clever and astonishing slice of comeback sci-fi. The film’s small reach and the tight insurance coverage of the story make it a captivating watch as a local DJ and teenage switchboard operator in a small town in New Mexico begins to precariously peel off a few layers of a UFO plot. , all in one night. A humble but striking outing for Patterson, who is able to create a nervous and jarring mood with very little, this is a single, uncluttered story that sparks fear and anticipation with little more than one. cunning script, stirring the performance of his young stars and the dim darkness of the dark sky above them.

For more information, see our full review of The Vast of Night!

Wonder Woman 1984

This colorful and heartfelt second chapter in Diana Prince’s story effortlessly establishes itself as DC’s most enjoyable modern film, successfully trading a grain of sand for Golden Age superheroes. As Wonder Woman first jumps into action with a montage of bailouts that seemingly seemingly low-fidelity, it becomes clear that director Patty Jenkins is emulating the Christopher Reeve era of superhero cinema. As this style of directing eventually transforms into something more contemporary, the tribute to this period – especially Superman II – continues throughout, permeating many of his ideas and cementing it as a joyous celebration. from DC’s cinematic roots.

For more information, see our full Wonder Woman 1984 review!

These are our picks for the best sci-fi or fantasy movie of 2020 – let us know in the comments what’s on your list that didn’t make ours!

There are plenty of other rewards! Check out all of our nominees for movies, TV and comics below!

Best Movies of 2020

Best TV of 2020

Best comics of 2020

Be sure to check out all of our other nominees for Movies, TV Shows, and Comics of the Year, as well as our picks for the best games of 2020!

IGN’s Best of 2020 was designed by:
Main design + artistic direction: Justin vachon
Brand image + Artistic direction: Angela Nguyen
Branding + social design: Julia rago
Editorial design: Amanda Flagg
Editorial design: Eric Sapp
Animated Graphics: Will Batchelor



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